![]() Konitz gained some attention for his solos with Claude Thornhill His Orchestra (1947). This album is heavy on percussion and vocals and features the stringed instruments quinto and tres in the traditional Cuban style of guaguanco.Įarly on he studied clarinet, switched to alto, and played with Jerry Wald. Herbie Hanock, Joe Henderson, Joe Chambers and even Larry Young plays piano on two tracks. ![]() The sound is ultimately rock, with overdriven guitars, repetitive basslines, and strong backbeats, but with complex, shifting-time signatures and song forms, as well as improvised solos and accompaniment, this album also draws some influence from classic avant-garde jazz players as well (especially from the keys player, Craig Taborn, who is becoming one of the most widely known pianists in contemporary avant-jazz.). ![]() Konitz elegant sound fits right in with the laid-back, contrapuntal compositions of Mulligans quartet. The pieces are enjoyable to listen to as music, but those interested in the compositional aspect will also find them very interesting to study. Its a good mix of classic old-school gospel and slightly more contemporary RB influenced gospel. ![]() Gerry Mulligan Quartet Pacific Jazz Rar Free Improvisations Ever. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |